ACDSee Photo Studio Ultimate | The Photographer's Secret Weapon - You may also like
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For those high ISO shots, Ultimate features improved Noise Reduction and a new application that ties noise reduction to the Develop brush, offering surgical control instead of blanketing an entire image with the same treatment.
Other improvements allow you to preview complicated selections with a single click, as well as offer greater flexibility for gradient tools and more control over tone curves. The surgical precision of the Pixel Targeting tool has been added to Develop Mode and includes the familiar color wheel.
Pixel Targeting is now teamed with the currently selected brush or gradient, meaning each brush or gradient gets its own Pixel Targeting settings. Use these highly effective selection methods to achieve a perfect edge without derailing your pursuit of creativity and discover a new preferred method for creating masks.
Develop Mode exists for one purpose — to allow for the unrestricted development of ideas through complex adjustments and effects without damaging the original shot. Find out more about parametric photo manipulation. Finding, sorting, moving, organizing, and sharing—everything you need for complete mastery over your photography workflow is right here, at your fingertips.
No uploading or importing your images. Add ratings, hierarchical keywords, tags, categories, location data and customizable color labels. Our proven track-record of promoting and adopting new camera technologies and equipment has been a touchstone of ACDSee software development. There, now you are in the loop. Simply scan the QR code on your screen with your phone to easily sync with your computer.
If you are feeling trapped and burdened with an Adobe subscription but think switching will be a colossal pain in the camera case, rest easy, migration from Photoshop and Lightroom to ACDSee Photo Studio is a breeze. I am tired of companies giving misleading naming schemes. Canon's not alone. Sony, Nikon, Apple, MS, and so on do the same thing.
Just like their camera menu system, their naming system is one of the easiest and straightforward to understand imo. It's been this way for decades. Do DPR users pull user names out of a hat? What does 'Eclectant' signify? Are you trying to tell us that your taste in ants is eclectic? We common people go for ordinary black or red ants.
Just asking Canon's numbering for everything but M has been consistent since the film days:1is flagship, 3 is almost so, 5 is semi-pro. With digital, they've added 7 for the high end crop sensor and 6 for entry-level full frame. I loved my SL3 by sold it for that reason alone. Battery grip and interchangeable eye cups seem to be more important than pro-oriented AF and 30fps.
Funny summary! AF has to keep up, too. And most cameras that don't have DRAM stacked sensors can't maintain their max fps with an equal, or even close to equal hit rate. The higher the numbers go over 10fps, the more misses you see. Lote When I understood correctly, the 30fps are with electronic shutter mode only where rolling shutter is prominent due to the slow read out speed of the Canon sensor.
Rolling shutter would also be an issue on the XT4 for certain applications. The AF system of the R3 would certainly provide more benefit and likely result in more usable frames in burst mode. Well, it's of course correct to attempt not to do so, but we're genetically wired to judge--not just people--by looks. I ordered one to complement my 5D mk IV for birding and to dip my toes to the R system reasonably cheaply since I already have a pile of EF lenses.
Preliminary end-user comments look fairly promising; it's not a perfect camera, but the drawbacks look like something I can live with.
And if I'm more disappointed than I think I will be, I expect to be able to resell it with fairly small loss. I ended up loving the R5 so much more that I could not even fathom stepping back to the 5D4 for anything.
I ended up trading it for RF glass. My advice if you tippy-toe into mirrorless, you end up spending more. What a cool write up. I really appreciate that type of comparison, thanks. Camera's that have no optical viewfinders and even budget phones without headphone jacks. Welcome in ' The image circle of speedboosters don't have margins that tight, it generally works if only a few percentages off, because they need to deal with certain models mostly fast lenses that may have severe vignetting due to oblique entry angles.
A new Canon camera with an old sensor. I don't see here what's new from Canon They have been doing it for decades. Maybe why mess with a winning formula?. Canons focusing is spot on, touch screens are first rate. Screens are very bright and color accurate, ergonomics are near perfect. WiFi and Bluetooth work perfectly. Menu system is so easy to navigate and well organized.
Wats0n what heck does all that have to do with the sensor? You think the old sensor is what makes the screens "bright and accurate? Canon leads camera sales solely due to the name recognition and people stuck into the system due to lenses and equipment.
Canon cameras are usually among the most expensive on the market regardless of the tech inside. So instead of acting as if it's okay to have an outdated sensor, you should be asking Canon to push the market forward instead of relying on consumers like yourself to pay a premium for a name. Opinions rendered as facts……. Those small lenses on the big mount look so ugly. Sorry, Canon. Especially with a prime. Not sure what else you would want?
Grip - yes i shoot a lot of sports in portrait orientation FPS with older glass - i have mk1 IS mm 2. Which is limited to 6. As an owner of a 7D mkII, I can confirm that the R7 surpasses in every way the image quality, and by far the focus accuracy for wildlife photography. When I use my mm f4 first generation , 6. I ordered an R7 and will no doubt have a long wait , with my 7DmkII to be my backup.
The 7DmkII is unquestionably a very nice camera to work with, but I get too many AF misses shooting basketball and football. I shoot sports in JPEG, so the buffer shouldn't be a problem for me. The R7 has a much bigger buffer than the 7DII. October I bought a Canon 30D and f2. Granted the lens is a stop slower.
However with todays sensors, IBIS and camera processors that one-stop difference would hardly be noticed. Arguably better image quality than 16 years ago.
Lighter weight. Almost identical APSC focal length. This would be a freakin bargain setup adjusted for inflation. A stop is a stop, being "arguably better" than 16 years ago at a higher price should be unacceptable for most electronics. Canon care too much about ergonomic than aesthetics. But these day people want to be pretty while taking picture. Can't tell if you're sarcastic or not, are you saying this body is ugly?
Don't get me wrong, Canon ergonomic is always nice, but the old mindset need to fly away. Fujifilm is example about good ergonomic but still I could see this with the slower lightweight RF f5. Still getting more pixels on target there than with a 61MP body in crop mode even.
Definitely not a perfect camera - however with prices as they are it seems pretty good vfm - and a capable replacement for a 7D2 with the 3 things I wanted taken care of addressed more mp, much better af, better low light. I thought Canon hated Mirrorless. I remember when Canon photographers mocked the Sony Mirrorless cameras.
Welcome to the world of Mirrorless. I guess adopt to change or get left behind. Then he can say the writing is on the wall. There's no need to spread bad information. There's enough of that going on in this world already. How few of them? Why did you think Canon hated mirrorless? I've shot Canon since , when I got the A The idea that Canon is only just getting into mirrorless is very silly, and something it seems only Sony fans say.
I don't recall Canon, the company "hating" mirrorless and I think what DSLR users were mocking was not mirrorless but the overzealous mirrorless fans who went on and on about them like they were the second coming. Mirrorless is an evolution of the digital camera, nothing more, nothing less. You missed the fun discussions when Sony launched the first "full frame" mirrorless back in Canon never hated mirrorless, they just wanted to suck the last dime out of the DSLR users.
Where the R3 beats it in every way. Along the way I kept trying mirrorless. Got a G1 took 5 shots, gave it to the kid. Fuji began acknowledging VF lag and began to claim 5ms.. I understood very early that mechanical Viewfinders and mirrors were going in time to be replaced by EVF, just had to wait until they were ready.
They are pretty good now, though they could still be improved. Half of me doesn't want to consider going back to Canon, but this camera looks pretty good for what I shoot. Why not the R6 or R7? I almost never look at it on the R. I really don't understand the fuss people make about whether a camera has one or not. I should have specified that the top LCD is very useful for working pros.
For me, it's practically invaluable bc the act of physically lifting the camera and looking through the EVF--or worse yet--opening the screen can be very distracting to other people. They know the utility of the little LCD screen for an important segment of their products. For me, I adjust the settings using the top lcd often, especially If the subject can shift between moving or stationary.
I know custom functions and banks can be used, but personally, I really appreciate being able to adjust my aperture shutter speed and monitor my ISO without raising the thing in front of me. EduPortas to add to your list, Fujifilm X-H1 and X-H2S also have an electronic ink top display which is always on even if the camera is off.
I don't think opening a flip screen distracts people because most people can't see the screen behind the body, but if they've gone the std swivel route then it's the result of their self-sabotage. I meant people who are looking at you as a photographer. Nothing is more distracting for the subject than wondering what the heck your as a photographer are doing behind your screen and fiddling around with different settings.
That top LCD saves at least one step in the adjustment process before shooting. I use top LCDs on both my cameras extensively and would feel lost without it now. Both on DSLR or mirrorless. Well, this isn't about Fujifilm. It's more about Canon. A feature that was more or less common LCD top screen in their average cameras is now exclusive to their top-of-the-line products. That's my gripe. I don't like losing using features that were once useful and be forced to pay a considerable amount more to get them.
The protruding evf is about as deep as the mirror box of a dslr but it being on the opposite side of the grip makes the cameras as a whole deeper! I had the R7 a few times in my hand, but it lacks weathersealing no rubber gasket at the battery and memory card door and it feels really plastic. The back dial around the joystick isn't as bad as it looks like for my thumb.
It is better located than the normal spot on the back. Lack of build quality will keep me away. I like purchasing "overbuilt" products, of many kinds. Experience and a sense of value are just as important as features and performance to me. I've pre ordered 25th May still waiting. It should replace my 7dmk2 no problems there.
I was very enthusiastic at the time after years of failed rumours but since those days and the XH2s now out and available and the excellent mm lens This is what I was expecting for my 7dmk2 replacement.
Even the OM-1 is a phenomenal alternative. Considering the latest news on delivery it might be end of August which would make the wait 3 months I can't see myself waiting for it.. That is one ugly camera. And before you pop off about the aesthetics of tech not mattering - do your research.
Design matters. Yes, design matters. And it seems to be very well designed. As for whether it's ugly, beauty is in the eye of the beholder. What cameras do you consider to be beautiful? And I think it's more likely that you'll get mockery and scorn than wrath. You say something silly, so you get laughed at.
I'm certainly laughing here. Damn, I guess now I must stop using things like Vi and Emacs, since they don't have beautiful aesthetics. My employer recently swapped out my Lenovo thinkpad for a Surface laptop 4, they do exactly the same task yet one is far more pleasurable to spend that time with than the other, and that is down to the design.
This is a really nice looking camera, and if it handles anything like the R6 they hit a home run on feel. It is beautiful. I think the small-diameter lens makes it looks weird in proportion.
Otherwise, it is pointless. Stuart Which Mercedes in the last 10 years would you consider beautiful? Fabulous pieces of engineering, comfortable as anything to sit in, but from the outside, not particulary pretty in my opinon.
There are much prettier cars out there, a good few of them not anything like as good as a Mercedes to drive or ride in. Likewise, what camera are you looking at and thinking thats a beautiful astheticly pleasing thing.
I can't think of one. For ergonomics and handling, thats a different thing, but its also very subjective and going from the comments sections on DPR an impossibility to get agreement on. Ill ignore the fact i use Fuji which some would consider a fashion statement rather than a camera and leave them out of the discussion so as not to go down the route of fan boyism.
Ill compare this Canon to say a Nikon Z I think the Nikon both ergonomically and visually looks a much nicer camera, as do most Panasonic and Olympus. Sony's newer A7 series look pretty nice although people say they aren't comfortable. This Canon looks like someone has inflated my D with a bike pump. As for cars, the A class Mercedes look stunning, far nicer than most other cars in that class Golf, A3, Focus etc , a couple of their crossover SUVs look very stylish too.
Ergonomically probably, visually — meh. Let's leave it as a matter of taste, OK? IMHO, the only wrong thing in terms of the ergonomics with R7 is the fact they turned the magnifier button to the right as it originally was in R. It still p! I'm looking forward to switching to R6 where this issue was fixed among others. Looks doesn't even make the list when I am buying a camera, does it meet my needs is number one and how does it feel in the hand is number 2.
For me the original 7D was my favourite camera from the moment I picked it up. No other camera has felt that right in my hand since. I haven't held an R7, so I will reserve judgement on that.
That said, I'd take an E-Class Jag over anything else, just because. The surgical precision of the Pixel Targeting tool has been added to Develop Mode and includes the familiar color wheel. Pixel Targeting is now teamed with the currently selected brush or gradient, meaning each brush or gradient gets its own Pixel Targeting settings.
Use these highly effective selection methods to achieve a perfect edge without derailing your pursuit of creativity and discover a new preferred method for creating masks. Develop Mode exists for one purpose — to allow for the unrestricted development of ideas through complex adjustments and effects without damaging the original shot.
Find out more about parametric photo manipulation. The addition of a Color Wheel and Luminance Range inside Pixel Targeting lets you make pixel-perfect color and brightness selections for fine-tuning precise areas within your images. Increase the detail in your skylines, bring faded mountains to life, or transform that dull boat into a vibrant vessel… the possibilities are endless.
For those high ISO shots, Professional features improved Noise Reduction and a new application that ties noise reduction to the Develop brush, offering surgical control instead of blanketing an entire image with the same treatment. Other improvements allow you to preview complicated selections with a single click, as well as offer greater flexibility for gradient tools and more control over tone curves. New for Pro is the paradigm-altering power to fine-tune a selection that was previously impossible.
Use the new Channel Selection functionality built directly into a host of long-established filters to craft subtle or majestic creations. With a new one-click preview available for selection masks, the process of creating cutting edge edits is now as light as a feather.
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